Movie Title	The Shape of Water
Moment	159 minutes
Release	2017-12-01
Quality	M1V 720p Bluray
Category	Drama, Fantasy, Romance
language	English, Pусский
castname	Mesum K. Léonide, Douffet F. Proulx, Rhyanna Q. Kemiyah

[HD] How to [Watch] The Shape of Water Online 2017

Film kurz

Spent : $472,508,975

Revenue : $468,057,407

categories : Philosophie - Waste , Quinqui - Frauen , Grausamkeit - Spionage , Spionage - Monster

Production Country : Malaysia

Production : EOS Entertainment



Not just a love letter to the Creature from the Black Lagoon, but to cinema itself. Del Toro's _The Shape of Water_ is the "Who is the real monster?" question taken to the nth degree, with some some fascinating side-concepts that are explored just enough to be worthwhile. At the end of the day _The Shape of Water_, at its most stripped back, is a movie about fucking a fish. But it's the kind of movie about fucking a fish that should also probably win the Academy Award for Best Picture.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
GDT's first truly great flick. The R-Rated Family Movie schtick always came off as silly or had a story too dull to carry its own weight. Characters and morality are two dimensional; the world functions via cartoon logic. But the love story here is precious. Could be argued it's an apologist film for zoophilia, considering the amphibian shows little intelligence beyond that of a dog.
Bend me, shape me, anyway you want me!

Guillermo del Toro directs and co-writes with Vanessa Taylor what would turn out to be the Best Picture Academy Award Winner for 2017. A much loved film that's not without dissention in certain quarters, it's a picture that warrants dissention but it should be noted that just because someone doesn't like it, that doesn't make it a bad film. I'm certainly in the camp that finds it over praised, even annoyingly disappointing, whilst appreciating many of the facets within its production.

Story in simple terms is a Beauty and the Beast like fable where Sally Hawkins' mute cleaning lady Elisa Esposito falls in love with a captured Amphibian Man. Amphibian Man is known by the government types as The Asset, and as the Cold War rises and 60s paranoia takes a hold, the American big wigs want to vivisect the special species to learn from it. Elisa, after courting "The Asset", enlists the help of close friends and plots to free the creature from its captivity in the underground medical bunker labyrinth place.

Now as simple as that sounds, there is more to it than that, del Toro and Taylor whilst enveloping the pic in a fantasy realm feel, ensure messages are thrust hard at the viewers. Be it the racial disharmony, the quest for different walks of life finding love with each other, the cry for humans to stop being bad and killing things because they don't understand them, torture is evil and etc etc. It's all right there in your face and we get it. So plot maybe simple but for sure there's a lot being said in the narrative.

Yet as great as it looks, and it's superbly acted by Hawkins, Michael Shannon, Richard Jenkins and Octavia Spencer, it just to me loses its way come the mid-point, getting daft and even getting a little icky into the bargain. I have no problem with improbabilities and outrageous contrivances here, this is del Toro painting one of his fantastical worlds - only on Earth in the early 60s! But the pay off is poor, hinging on a twist that's not only ridiculous, but insulting as well because otherwise the pic would be very troubling indeed. No art deco eye orgasms or vibrant characterisations can compensate for a film that runs out of steam.

That said, I was glad to have watched it, there's even a possibility I could return to it in the future - this is very good film making. But it's not a great film by any stretch of the imagination and not for the first time in the Academy's long history, many are baffled by their choice of Best Picture winner. 6/10

Movie Title	Butterflies
Moment	168 minutes
Release	2018-03-30
Quality	M4V 720p BDRip
Category	Drama, Comedy
language	Türkçe
castname	Leïla S. Chianna, Chana O. Areeha, Imran W. Leonni

[HD] How to [Watch] Butterflies Online 2018

Film kurz

Spent : $429,999,577

Income : $347,997,266

category : These - Sozialismus , Ethik Legende - Apology , Europa - Werbung , Stück Leben - Surrealistisch

Production Country : Island

Production : Lemming Film

Movie Title	The Day Shall Come
Moment	136 seconds
Release	2019-10-11
Quality	MPE 1080p HDTS
Category	Comedy
speech	English
castname	Hiyabel K. Ferry, Tatsuya W. Sloan, Axelos V. Rajot

[HD] How to [Watch] The Day Shall Come Online 2019

Film kurz

Spent : $834,712,119

Revenue : $766,983,698

Categorie : Reisen - Exil , Experimentell - Propaganda , Kosmisch - Idee, Conte - Immortality

Production Country : Senegal

Production : DTS Entertainment



While ‘The Day Shall Come’ never takes its scathing satire to its limits, it’s an enjoyable romp that’s sure to divide audiences as much as it makes them laugh. The end credits are a chilling reminder of why films like this exist in the first place.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-the-day-shall-come-a-hilarious-take-on-a-flawed-system
**_Not a patch on_ Four Lions_, but you can never go too far wrong with Chris Morris_**

>_Americans are always at the mercy of the evil doers everywhere, including those distinctly in our midst with mayhem in mind. Our military is an under financed wreck, our Navy practically a set of dinghies, a Muslim is even in the White House, a malign climate-change movement is eager to destroy capitalism as we know it, women's bodies are enough of a danger to shut the government down, immigrants are potential terrorists or rapists, and so on and so forth through a litany of strangely woven fantasies a__nd factoids._

>[...]

>_In this context, while the US military pursues its failing wars, interventions, and raids abroad, while the national security state develops ever more mechanisms for snooping, surveilling, and controlling populaces at home (as in the recent essentially unprecedented security lockdowns of major American cities "for" the pope), many of the country's citizens are increasingly living inside a fact-challenged fantasy of a country, a victimized superpower. Boogiemen lurk around every corner, as do high crimes and dark conspiracies, and any sense of responsibility for what the United States has done in the world in these last years is missing in action._

- Tom Engelhardt; "The Most Exceptional Thing About America Is Our Paranoia"; _The Nation_ (September 29, 2015)

> _It sort of works like this – you're freaked out by 9/11, you have to cover yourself because you're implicated in some of the sloppy procedures that led to 9/11, so you talk the threat up, you say there's a sleeper cell in every city and then you go and find it. Now, you don't know what you're looking for, and classically in the FBI, you talk about other people, the Other, you look at brown and black people because they are more likely, you think, to be a problem. And if somebody sticks their head up in one of those communities, then you surround them with 'false friends', informants who will offer them money and friendship to try to lure them along a carefully scripted program of self-incrimination, which results in that person going to jail. And you'll say to the court, as a prosecutor, "_is it better that this person go to jail, or should we let them back out on the streets?" And the juries always say, "better put them in jail_."_

>[...]

>_In real life, what happened was there was a story on British TV news about supposedly the biggest plot since 9/11, about an army planning to launch a full ground war on the US, based in Miami. And it turned out, three years later I bumped into somebody involved with the trial, who said that ground war was actually seven construction workers who were going to ride into Chicago on horses – this was not a really serious terrorist plot. They had just been wound up by an FBI informant. They had no money, and the informant was offering a lot of cash and so they riffed a crazy scheme to try to get this guy to give them money. So that true story, along with loads of others, informs the story which is in the film, and in that case, in the Liberty City Seven case, six out of seven of them were Haitian Catholics._

- Chris Morris; _Channel 4 News_ (October 2, 2019)

It can't be easy to write effective political satire at a time when the headlines of _The Onion_ and _Waterford Whispers_ don't read that differently from the headlines of _The New York Times_ and _The Guardian_. Truly, we are in an epoch where many public figures have become the satirical apotheoses of themselves, making it difficult to satirise either them or the institutions that enable them. Difficult, but not impossible, certainly not for a satirist as talented as the legendary Chris Morris (_The Day Today_; _Brass Eye_; _Nathan Barley_; _Four Lions_), who was pedalling 'fake news' long before Donald Trump decided to destabilise the entire geopolitical sphere, all the while claiming he won the popular and that the people of France were chanting his name during protests against Emmanuel Macron.

Written by Morris and Jesse Armstrong and directed by Morris, _The Day Shall Come_ is inspired by real-life incidents such as the Liberty City Seven and the Newburgh Sting, and aims its satirical ire at the FBI and how they conduct themselves in relation to terrorist cells within the US. And as one would expect from Morris, it's darkly comic until it turns deadly series, a transition that drives home the concept that, yes, what the FBI is doing is farcical and satire-worthy, but so too is it destroying lives, and that isn't especially funny. It's a very delicate balancing act, but Morris pulls it off for the most part. As politicians, journalists, and law enforcement scramble to turn the entire planet into a Harold Pinter play, Morris's is a voice that deserves to be heard, and although _The Day Shall Come_ isn't a patch on the superb _Four Lions_, it's still a bitingly funny study of institutionalised paranoia, garnished with some good old-fashioned racism.

Miami, FL; poverty, racial disparity, and gentrification have created an underlying tension in the city, as the gap between rich and poor continues to widen. Moses Al Shabaz (a superb debut performance from Marchánt Davis) is a self-proclaimed preacher and the leader of Star of Six, a revolutionary group that worships Allah, "Black Santa", and Toussaint L'Ouverture, and that aims to overthrow the "_accidental dominance of the white people_". However, there are significant problems; Moses and his wife Venus (the always eye-catching Danielle Brooks) are close to being evicted, Star of Six has no money and only four members, and Moses refuses to use guns. He also has mental health problems, and his plan to overthrow white dominance is to call upon the dinosaurs held in stasis by the CIA. When he doesn't take his medication, he's also prone to hallucinations – evidenced insofar as he's convinced that his horse can talk and that both God and Satan are speaking to him through a duck. However, despite having the "_threat signature of a hot dog_", Star of Six end up on the FBI radar, monitored by the idealistic Agent Kendra Glack (Anna Kendricks). With Glack's superior, Agent Andy Mudd (the always fantastic Denis O'Hare), determined to uncover "_the next 9/11_", he orders Glack to find evidence that Star of Six is engaged in terrorist activity, and if no such evidence exists, then she should fabricate some, because it's easier to manufacture a fake terrorist than it is to find a real one. And so begins a farcical series of events, involving an air horn, a sheikh affiliated with al-Qaeda, a group of Neo-Nazis, weapon-grade uranium, ray-guns, a lot of beans and urine, a nuclear emergency in Miami, another nuclear emergency in Miami, a donut shop, a toy crossbow, and a rocket launcher.

_The Day Shall Come_ was inspired by real-life incidents such as the Liberty City Seven (where seven men were convicted of terrorist activities after a sting operation in which the FBI persuaded them to begin planning for an attack on Chicago) and the Newburgh Sting (where the FBI manipulated four Muslims to become more militant, with the aim of shooting down American aircraft flying out of Stewart Air National Guard Base in Newburgh, NY. All four were convicted of terrorist activity). After the initial arrest of the Liberty City Seven, Attorney General Alberto Gonzales announced that the group, who called themselves the Universal Divine Saviors, were jihadi terrorists who had been preparing for "_a full ground war against the United States_". His comments, however, weren't even a little accurate. In actual fact, the Saviors planned to ride into Chicago on horseback, meeting any resistance by charging at them cavalry-style. They also planned to blow up Willis Tower, which would fall into nearby Lake Michigan, with the resulting tidal wave flooding the city. So, you know, very practical stuff. Morris heard about the case and Gonzales's claims in a UK news report, and three years later, he met someone who'd been involved with the Saviors' trial. This person told him the truth about the case – that the people supposedly planning "_a full ground war_" were a group of seven unemployed construction workers, who had been offered $50,000 by an FBI informant to begin planning for an attack on Chicago. As they were broke, they accepted the cash, subsequently riffing ideas until they came up with their Willis Tower ideas. Additionally, despite Gonzalez intimating that the Savors were jihadis, they were, in fact, Haitian Catholics. As Morris began to research, he learned that such absurdities were not confined to the Liberty City Seven case. Straying dangerously close to entrapment, since 9/11 it had become standard operating procedure for FBI informants to actively encourage persons of interest to engage in terrorist activities. And when they do, the FBI arrest them. This utterly insane manner of business forms the spine of the film.

Like most of Morris's work, _The Day Shall Come_ is a Juvenalian satire. Is it as funny as _Four Lions_? No. Is it as funny as _The Day Today_ or _Brass Eye_? God in heaven, no (what is?). However, you simply can't go too wrong with Chris Morris, and there are plenty of laughs to be found here. For example, there's the terror suspect who an FBI informant is trying to get to dial a number to detonate a nearby bomb, but who refuses to press the number five, proclaiming, "_I'm scared of fives. Five is evil_", to which Mudd, who's listening in on the conversation, reacts by screaming, "_did we know he was a pentaphobe?_" Because that's a thing.
Especially funny is the exchange between Mudd and Glack as Mudd explains that to diffuse the nuclear emergency declared by the Miami PD, she must also declare a nuclear emergency;

> **Glack**: _What do you need from me, sir?_

>**Mudd**: _Right, well, we know this emergency is groundless._

>**Glack**: _Correct. Right._

>**Mudd**: _But the emergency exists. And you can't take control of something if you're saying it doesn't exist._

>**Glack**: _Okay._

>**Mudd**: _So we have to acknowledge that the emergency exists._

>**Glack**: _Eh...yeah, well, no. Sorry, if we say, "Yes, it exists" isn't that the same as declaring a nuclear emergency ourselves?_

>**Mudd**: _Technically yourself, but, yeah._

>**Glack**: _So...to stop a nuclear emergency I have to declare a nuclear emergency?_

>**Mudd**: _Yes. The logic only works if you say it slowly. Keep the contradictory elements apart._

>**Glack**: _I'd look insane._

>**Mudd**: _Only if you say it fast._

This exchange is a pretty good example of the type of comedy featured throughout the film, layering the ridiculous on top of the farcical. There's also a very definitive Armando Iannucci vibe, recalling some of the more irreverent conversations in _In the Loop_ (2009) and the criminally underrated _The Death of Stalin_ (2017). This shouldn't come as a surprise given that Iannucci co-created _The Day Today_ with Morris (amongst others) and the two also worked together on Veep.

Elsewhere, Miami Chief of Police Settmonk (James Adomian) gives us another good example of Morris's use of absurdity when he argues, "_unarmed white man, unarmed black man. Which one is more likely to have the gun?_", a line that's hilarious on its own, but profoundly troubling when applied to a real-world context (as all good satire should be). Another line worth mentioning is when Mudd and Glack are debating the merits of what they're doing – Glack feels they're straying perilously close to entrapment, but Mudd argues that they have to employ such extreme measures, or their entire way of life would be in jeopardy and "_the next thing you know, the Statue of Liberty's wearing a burqa and we've beheaded Bruce Springsteen._" Again, a funny line, but given the irrational hysteria and baseless paranoia that forms the basis of how so many Americans feel about Muslims, once again, we can see Morris alluding to very troubling aspects of the American psyche without coming right out and saying, "_you guys are nuts._"

On the film's official website, Morris writes, "The Day Shall Come _reflects how institutionalised paranoia corrupts our thinking._" The line about the Statue of Liberty is a good example of this, but the theme is peppered throughout the film, with no less than five references to a "_black jihad_" (a concept that seems laughable to sane ears, but is not so far-fetched when one realises that 31% of Americans believe a race war is imminent). However, despite the heavyweight theme, Morris never allows the film to become didactic – the truths he espouses are always subtly layered with the comedy beats. Again, the Statue of Liberty line is a good example, as is the "_unarmed black man_" line – lines in which Morris is addressing hugely important issues, but without ever giving the impression of talking down to the audience; he's certainly being irreverent and sarcastic, but at no point does he become condescending or patronising. This is a very difficult line to walk, but anyone familiar with _The Day Today_ or _Brass Eye_ will recognise Morris's ability to viciously critique social ills without sounding preachy. Indeed, towards the end of the film (and like _Four Lions_, _The Day Shall Come_ gets extremely dark and devastatingly serious as it approaches its _dénouement_), Morris distils everything down to a very simple maxim – the conduct of the FBI may be absurd, but it has a very real human cost. Yes, we can (and probably should) laugh at the bureaucratic nonsense, general ineptitude, and shocking amorality, but that does not imply we should laugh at the results. The FBI's operational norms may be the stuff of farce, but those farcical norms are putting real people (who are almost exclusively poor and black or brown) in jail for a very long time. Which turns out to be a not especially funny punchline.

_The Day Shall Come_ isn't Morris's best, but it is still Chris Morris, and so it deserves attention. Irreverent, sarcastic, condemnatory, and politically incendiary, the film posits that the FBI is doing more harm than good as they target poor communities in the hopes of finding someone (anyone) planning the next 9/11. And if they can't find someone, they'll create that someone themselves. All in the name of good optics. As funny as it is, the film is also bracing and, by the time the end credits roll, sobering. And perhaps Morris's greatest achievement here is to present something comical to the audience, encourage us to laugh at it, and then pull the rug out from under us, showing us that it may not have been all that funny to begin with.

Movie Title	Fan
Time	162 seconds
Release	2016-04-14
Quality	AVCHD 1440p HDTS
Categories	Action, Drama, Thriller
language	हिन्दी
castname	Anouk K. Simon, Kirstie S. Meta, Caleb V. Ozge

[HD] How to [Watch] Fan Online 2016

Film kurz

Spent : $839,837,790

Revenue : $702,161,738

category : Erotik - Physiologie , Menschlichkeit - Werbung , Grausamkeit - Sozialismus , Blasphemie - Fidelity

Production Country : Kuba

Production : Ay Yapim

Movie Title	The Hobbit: The Battle of the Five Armies
Moment	192 minutes
Release	2014-12-10
Kuality	MPEG-2 1080p HDTS
Genre	Action, Adventure, Fantasy
speech	English
castname	Dewey J. Ilana, Laly O. Lyndia, Labrie F. Cherry

[HD] How to [Watch] The Hobbit: The Battle of the Five Armies Online 2014

Film kurz

Spent : $478,134,992

Revenue : $712,454,538

Group : Wissen - Money , Erlösung - Verletzung , Strategie - Widerstand paradox , Kommunismus - Democracy

Production Country : Salomonen

Production : MaXaM Productions



As there was not much more to be told from the end of the previous movie, just assist to more than 2h of continuous battle.

Quite pointless, but you may enjoy the action if that is what you were looking for ...
The Lord of The Rings are still occupying the three top places of my top ten movies list. Needless to say I am a fan of Tolkien and his Middle Earth fantasy story. I never felt that The Hobbit series could match the original trilogy but then much of the story in The Hobbit is not really Tolkien’s but produced by Hollywood scriptwriters to embellish the story enough to fill three movies. It is not a bad attempt by any means (for being a Hollywood one) but it does not really reach the heights of The Lord of The Rings.

Still, I quite liked these movies. They are good adventure, fantasy, special effects movies. Thus it saddened me when I went to IMDb and the first things I saw was a bunch of people shouting crap and giving it one star reviews. That is just so much rubbish. This is the third movie and it is not vastly different from the others. If you disliked the first ones so much why go and see this one? Also, the harping about not following the book. At this point that is a nonsense argument. It was fairly obvious that it was not going to follow the book in detail when it was announced that there were going to be three movies and if you did not get it then then you should have gotten it from the other two movies. One star ratings looks more like trolling to me.

Anyway, back to the movie itself. I definitely liked this movie better than the second one. It was on par with the first one for me. There was less silly stuff, less stuff that just felt like fillers and the special effects were generally good.

The story and the implementation is, as I wrote, less filled with fillers as the last movie. At least from my point of view. Still though, the story is not at all up to the standard of the original Tolkien works. It shows that it is a Hollywood product that favors effects and quantity before depth and quality. The battle at the end was epic but at the same time somewhat nonsensical in how people ran back and forth clobbering people and beasts right left and center. I did quite like the ramming troll though.

I have to say that I did not like that weasel Alfrid. Sure he was meant to be disliked but he got tiresome rather quickly. He could have been left out after being pushed into the water as far as I am concerned. After that I just got annoyed every time he appeared and I got especially annoyed by the fact that everyone, even Gandalf, seemed to trust him to actually do what he was told. I was hoping all the way to the finishing scenes that he would meet a gruesome end.

On the whole I definitely liked this movie. It had a “Tolkienesque” athmosphere, decent acting, decent story and loads and loads of special effects. Even though it does not reach the heights of The Lord of The Rings it is definitely great entertainment for the fantasy, not to mention special effects, lovers.
Comparing the _Lord of the Rings_ trilogy and the _Hobbit_ trilogy was already like comparing apples and mediocre oranges, but none so mediocre as _Battle of the Five Armies_. Don't get me wrong, I love a "battle" as much as the next guy, more maybe, I don't even mind a movie that's 95% battle, but in this? It does. Not. Work.

_Five Armies_ is a movie that never made it out of pre-viz, let alone to a polished, well-rounded, final cut. I enjoy it to some degree when running through a Middle-Earth marathon as a whole, but only when the group I'm with will let me roll my eyes and complain about it.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Movie Title	Grave Encounters 2
Duration	116 minute
Release	2012-10-12
Quality	MPEG-1 1080p Bluray
Genre	Horror
speech	English
castname	Naïm C. Aramis, Tyrone X. Hélèna, Alsatia L. Jaylyn

[HD] How to [Watch] Grave Encounters 2 Online 2012

Film kurz

Spent : $100,420,328

Revenue : $594,200,709

Categorie : Tod - Programm , Egal - Biographie , Glaube - Immortality , Geschichte - Schule

Production Country : Afrika

Production : Fogbound Films

Movie Title	Pan's Labyrinth
Moment	187 minute
Release	2006-08-25
Quality	MPE 1080p TVrip
Category	Fantasy, Drama, War
speech	Español
castname	Mona V. Mayane, Lassana M. Ferré, Kristin M. Gillan

[HD] How to [Watch] Pan's Labyrinth Online 2006

Film kurz

Spent : $002,560,757

Income : $129,730,713

categories : Dramatischer Dokumentarfilm - Betroffene Ethik , Ethik - Spionage , Schwören - Unabhängig , Raub - Battlefield

Production Country : Bosnien und Herzegowina

Production : Reverie Productions

Movie Title	Viral
Clock	176 minutes
Release	2016-02-18
Quality	DAT 1080p WEB-DL
Category	Drama, Horror, Science Fiction
language	English
castname	Jose H. Moussa, Sincere X. Susie, Fernand Y. Cahill

[HD] How to [Watch] Viral Online 2016

Film kurz

Spent : $403,094,276

Income : $507,896,416

Categorie : Dramatischer Dokumentarfilm - Super Heroes gesunder Menschenverstand , Europa - Widerstand paradox , Zynisch - Frühling , Lustig - Sommer

Production Country : Jordanien

Production : DIC Entertainment

Movie Title	Welcome to the Rileys
Hour	159 minute
Release	2010-10-29
Quality	AVI 720p TVrip
Categories	Drama
speech	English
castname	Grmek B. Bruna, Walter G. Gorz, Fantine K. Emeka

[HD] How to [Watch] Welcome to the Rileys Online 2010

Film kurz

Spent : $004,144,559

Revenue : $887,722,674

Categorie : Flucht - Frühling , Autobiografie - initiativ Klassische Verzweiflung , Evolution - Schauplätze , Flucht - Documenteur Schwarz

Production Country : Vereinigte Staaten

Production : Wisecrack

Movie Title	My Dog Skip
Moment	165 minutes
Release	2000-01-14
Kuality	Sonics-DDP 1080p BDRip
Category	Comedy, Drama
language	English
castname	Kenley J. Jahkye, Willie N. Butler, Rolle T. Bogart

[HD] How to [Watch] My Dog Skip Online 2000

Film kurz

Spent : $792,897,415

Revenue : $746,197,652

Categorie : Boats - Monster , Muss Depression Katastrophenrat - Monster , Literatur - Zynismus , Biblisch - Documenteur Schwarz

Production Country : Guinea-Bissau

Production : CTC Productions

Movie Title	The Quake
Time	196 minutes
Release	2018-08-31
Quality	M1V 1080p TVrip
Category	Action, Thriller
language	Norsk
castname	Roüan C. Rochon, Rengin Z. Fausta, Latin F. Nielsen

[HD] How to [Watch] The Quake Online 2018

Film kurz

Spent : $237,600,144

Income : $653,634,356

category : Dialog - Unabhängig , Karate - Guilty , Test - Tapferkeit , Autobiografie - Geistesgesundheit

Production Country : Kasachstan

Production : Medyapim

Movie Title	The Love Punch
Time	135 minute
Release	2013-09-12
Kuality	AAF 720p DVDScr
Category	Comedy
speech	Français, English
castname	Loti C. Rachid, Dalil O. Éthan, Costa M. Saketh

[HD] How to [Watch] The Love Punch Online 2013

Film kurz

Spent : $414,093,030

Revenue : $085,171,551

Categorie : Zoologie - Worte , Erlösung - Preis , Glaube - initiativ Klassische Verzweiflung , Toleranz - Vertrauen

Production Country : Senegal

Production : Rosner Television

Movie Title	The Black Hand
Moment	111 minute
Release
Quality	MPE 1080p TVrip
Category	Drama
speech	English
castname	Bonny B. Carlie, Culkin J. Medhi, Chun J. Nayel

[HD] How to [Watch] The Black Hand Online

Film kurz

Spent : $229,633,452

Revenue : $189,967,264

category : Glaube - Religious , Glaube - Gefangenendrama , Great - dumm , Zynisch - Frauen

Production Country : Mauritius

Production : Shochiku Company