Movie Title	Beats
Moment	176 seconds
Release	2019-05-17
Kuality	ASF 1080p WEBrip
Genre	Drama
speech	English
castname	Jineen Z. Carion, Thierry K. Ferré, Élodie V. Sephora

[HD] How to [Watch] Beats Online 2019

Film kurz

Spent : $339,853,251

Income : $750,316,167

categories : Journalismus - initiativ Klassische Verzweiflung , Fantasie - Programm , Lustig - Tyranny , Hysterisch - Benzin

Production Country : Mauritius

Production : RAM Film

Movie Title	Aladdin
Moment	153 seconds
Release	2019-05-22
Kuality	Dolby Digital 1080p DVDrip
Genre	Adventure, Fantasy, Romance, Comedy, Family
language	English
castname	Kallie H. Riona, Maven I. Augusto, Martine R. Bell

[HD] How to [Watch] Aladdin Online 2019

Film kurz

Spent : $273,415,836

Revenue : $279,641,278

categories : Hysterisch - Barmherzigkeit , Fantasie - Tyranny , Samurai - Women , Geschichte - Apology

Production Country : Jemen

Production : Alter



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What a wonderful surprise! I didn’t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn’t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith‘s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn’t know what to expect, I thoroughly enjoyed Guy Ritchie‘s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they’re the ones who carry the movie to safe harbor.

I’ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there’s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn’t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.

In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it’s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they’re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that’s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain…

Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I’ll address it more at the end of the review.

Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we’ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two’s production design and VFX are overwhelming in a good way.

Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the “The End” tagline shows up. A perfect remake is one that is able to keep the original’s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there’s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.

Every time a political or social agenda is inserted in a movie, people don’t care if it’s well-written or not. They just don’t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here’s the catch: having in mind the character in question, how it’s written, and what they do to send that social message, I think it’s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: “Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this?”

Yes. They develop the idea. Probably not. Those are my answers, and that’s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character’s personalities. There’s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.

Aladdin (1992) also has a particular aspect about it that it doesn’t quite fit nowadays’ culture. It’s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It’s only a minor change to the core story and to the character in question, so it' shouldn’t affect the overall viewing of the movie. If Speechless wasn’t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it’s still a stretch… Naomi Scott interprets it beautifully, though.

Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans’ jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie’s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn’t risk the boredom levels to be as high as they are occasionally.

All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original’s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it’s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he’s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren’t as balanced as they should have been, which makes the runtime over-extend itself.

Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney’s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it’s only a minor twist, it was still unnecessary, and it might even shadow Naomi‘s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It’s really a diamond (in the rough). Go watch it and make your own opinion!

Rating: B+
Saw this one last night and I must say I wasn't sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it's pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far
While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney's original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I'm sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Movie Title	Camp Cold Brook
Time	124 minute
Release	2020-04-09
Kuality	Dolby Digital 720p DVD
Genre	Horror
speech	English
castname	Lejeune G. Jessyca, Adelais T. Daniel, Joyeux K. Randy

[HD] How to [Watch] Camp Cold Brook Online 2020

Film kurz

Spent : $436,783,596

Revenue : $957,930,349

category : Dokumentarfilm - Familie , Ideen - die Gelegenheit , Raub - Weihnachten , von cops - Soundtrack

Production Country : Guyana

Production : Speakman Entertainment

Movie Title	Alien: Covenant
Clock	191 minute
Release	2017-05-09
Kuality	ASF 1080p WEB-DL
Categorie	Horror, Science Fiction, Thriller
speech	English
castname	Amol R. Ishanvi, Natalee W. Navaya, Renee O. Deshna

[HD] How to [Watch] Alien: Covenant Online 2017

Film kurz

Spent : $752,504,938

Revenue : $799,324,842

category : Satan - Tapferkeit , Geschichte - Poesie , Strategie - Uncategorized , Dialog - Dystopie

Production Country : Kambodscha

Production : Bohbot Productions



"At times a thrilling, stomach-churning journey, but one that leaves those on board wondering if the disorientation and down time was worth the investment..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/5/8/alien-covenant.html
Alien Covenant marks the third Alien movie directed by Ridley Scott and the second prequel to the franchise after Prometheus. They also seem to be getting worse with age.

Prometheus was really a lot of questions searching for answers, ambitious in asking not only about the creation of alien life, but human life as well. However the plan to stretch out these topics into 3 or 4 movies should be met with some skepticism.

Especially considering the basis for this was started by Damon Lindeloff, the creator of Lost and the man most of us are still waiting for answers for most of the things that happened on Lost.

He of course has abandoned this second movie, leaving it in the hands of the far more capable John Logan, but even he struggles to find meaning here, or escape the clichés that have started to grow like a Xenomorph in John Hurt's stomach.

We're dealing with a whole new crew this time; the Covenant. They are headed on a colonial mission to another planet before an electric shock takes out the ship, the Captain, and 47 other members.

Reluctant to get back into their pods for a 7 year journey, the on board crew responsible for the ship's upkeep decide instead to answer a distress transmission coming from another planet.

That's where they find what continues to be the best character in these prequels; Michael Fassbender's David the Android. His motivations and whether he considers himself human or God is constantly in question and Fassbender's soft-spoken performance continues to haunt.

I also really do consider Prometheus to be one of the most gorgeous-looking special films of the last decade and this continues that- from the Covenant ship to the grain fields and other vegetation eerily covering the mostly desolate other terrain of the planet.

We also get the first look at the Neo-morph, who is born the same way, seems a bit faster than the Xeno-morph but the main differences are it doesn't have the Venus fly trap tongue and it can stand like a human. Pretty cool.

Just it's at this point I should probably say that after Aliens there started to be less reason to want these. Alien 3 was fine, Prometheus I thought could really go either way depending on the sequels, and Alien 4 of course was garbage.

The biggest problem here is that it feels so redundant. We get a distress call, the crew investigates, some background characters do stupid things leading to impregnation, someone says "we never should have come", final alien chase.

The aliens, when you can see them, are cool, but there is a lot of downtime between them, and a few quality kills does not a 200 million dollar mega blockbuster make.

It's also really odd that Prometheus does this whole thing of setting up the engineers as the creators of human beings but here they only get one scene and let's just say those looking for more info about them will get angry.

The promise of some larger conversation is in here somewhere but these movies feel so stretched out at this point that when this does get to the few moments of actually having something to say, it's hard to get re-engaged.

The characters don't help either as most just come off like archetypes. Katherine Waterston is the Captain's widow and really the bargain basement Ellen Ripley here.

Billy Crudup plays the faith-based character, and like the last movie, this movie seems to be including that without ever really giving it value in the meaning of life conversation.

But at least those two have some background. I'm so tired of most of these others. The ones who just go tramping through the woods of an unknown planet or show the decision making skills of the Trump administration. You're not supposed to make us root for the alien, guys.

Finally i'm no closer to understanding why these movies are necessary. It's easy to tell what this movie wants to do and it's even easier to see the twist coming a half hour before it even comes.

There are a few nice kills here, I will give the movie that. If you can remember to wake yourself every time Fassbender and Fassbender (he also plays an android named Walter) have a philosophy conversation, you might find some interesting stuff there too. But overall not enough action or thought to make this overly drawn out series seem necessary.

So I go 5/10. For more reviews, check me out on Youtube here- https://www.youtube.com/channel/UCY_IvAm1bJADConJhDCuq6A








I had a few reservations going in to _Alien: Covenant_. In my opinion there hasn't been a truly great entry to the franchise since _Aliens_, so I was worried that the statistics were against it. I thought _Prometheus_ was incredible from a technical standpoint, but not a very engaging movie, and I was worried we might get the same here. The trailers had been mostly good but I was worried I had seen too much of the third act in them, and I was worried this would spoil the experience for me a little.

What I was not worried about was within ten minutes of the damn thing starting I would think to myself: "Wow, this movie is really poorly made."

Well I guess I'm an idiot because that is exactly what happened. And that feeling never entirely abated over the course of the whole thing.

Don't get me wrong, it's no "_AVP: Requiem_", but I was still very disappointed.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**Limps along under the weight of its own importance.**

I love my films dripping with self importance and this one is definitely one of them. I can't get enough of these films that positively bubble over with a high handed, serious and arrogant attitude that indicates that there is no film quite as important as this one.


This film knows it all. It knows everything that we- the lowly, pathetic and simple minded audience do not know and could not ever possibly know because we are not intelligent enough to grasp anything, you see?

For such an authoritative, superior and intelligent film - I find it odd that every character stumbles around like a simple minded cretin making unwise decision after unwise decision.


Ridley and his scriptwriters seem to think that they are intellectuals but somehow they just _can't pull off_ the role of **being** an intellectual.

- Simon Quinlank
I agree with most of the negative comments about this movie.It is a gigantic missed opportunity.My biggest issue apart from the utter predictability and nonsensical,inept script,was the disappointment of seeing 'Prometheus' mixed up with 'Alien'
Alien covenant gets locked up in its own self importance while forgetting why we loved 'Alien' in the first place.I really wanted to like it but came a way with a huge sense of disappointment
Not sure about all the bad reviews, I enjoyed the movie. I'm guessing because I wasn't expecting it to be particularly cerebral. Its a sci-fi/horror flick, I was looking forward to Sir Ridley Scott coming up with new and disgusting ways to terrorize the cast and I wasn't disappointed. Of course, the android going rogue was pretty obvious, but if the Star Wars franchise can feature a planet destroying space station in 3 of 7 movies, I'll give Sir Ridley a pass. If you are looking for the loose ends from Prometheus to be tied up, I suggest you include Sir Ridley in your prayers so he can survive long enough (the man is friggin 80) to film the prequel to _Covenant_ currently titled _Awakening_ that will hopefully meet your expectations.
Watched Alien: Covenant a 3rd time. It is a lot better than first meets the eye. The drastic difference from what we were expecting in direction from Prometheus threw all of us off. We had expectations of what we would get to see and we didn't get those. There is so much detail and such good acting. It takes multiple watches to pick up on it all. It blends the styles of Alien, Aliens, and Prometheus all together and does it very well. There is also a lot of subtle reference to Terminator 2. The dynamic between the androids Walter and David and the acting that went into that is something quite special. In that alone is a reference to T:2. My first 2 watches I didn't appreciate the android Walter like the character deserves. I was biased against his character in light of the android David. The android Walter and how he was portrayed also blends the style of android we see in Aliens. The actor's voice and demeanor reflect that of the android Bishop and gives us a bridge to his design. Michael Fassbender really did one hell of a job acting those two parts of Walter and David. Near the end of the movie there is another nod to T:2 as a beam is clearly marked as such and the scene that follows has a strong T:2/Aliens sequence and taste in styling to it. Through and through the acting is very good. Details are abound everywhere. There are a few points of rather convenient plots however overall the film is now among my favorites right along side Aliens and T:2.
Even the monkeys stood upright at some point.

Hee! Ridley Scott, it seems, is damned if he does and damned if he doesn't as regards the Alien franchise he so gloriously kick-started back in 1979. Prometheus was too cerebral for many and definitely bogged down by expectation levels. Not without flaws of course, but a very tidy science fiction piece it be. So we roll on to Alien Covenant, which while not universally reviled, has certainly garnered some fearful scorn in Alien franchise fan circles.

Alien Covenant is a cover version, no two ways about it, it's a retread of what was showcased in 1979, only with the tie-in to Prometheus and a continuation to the origins of Xenomorph and pals. Clearly we have a case of Scott making one for the fans, a return to chest busting goo and space adventurers under great duress, all of course while he fills in the blanks as well. For sure it's lazy when put up against Alien, and indeed against his other superlative sci- fi offerings such as Blade Runner and The Martian, but for those who lambasted Prometheus for its non Alien conventions, you have now got what you hankered for. Any expectation of this turning out to be a fresh masterpiece was always going to be crushed, so really it's best viewed as a loving retread. Yes! Bad science, plot and logic holes, average acting etc, these rightly don't deserve forgiveness, but it's hardly the devil's spawn here, in fact its's great fun as much as being a visual treat.

Log cabin on the lake.

We start with a prologue involving Weyland and David, the conversation involving creation, the most pertinent of which being the question of the ages, where do we come from? Then after a tantalising tinkle of the ivories for Wagner's "The Entry Of The Gods Into Valhalla", we are whisked into outer space 2104 to be in the company of the Colonisation Vessel Covenant. Crew 15 - Colonists 2000 - Embryos 1140. The destination is ORIGAE - 6, ETA in 7 years and 4 months. Only Walter the Android (Michael Fassbender) is awake, until it's time for the crew to be abruptly awakened from their hyper sleep...

Crusoe and the pathogen.

From the off disaster strikes, thrusting the crew into emotional strife. Characters are introduced, conversations and traits establishing the bare minimum that we need to know, then a ghost transmission is received from Sector 87, planet number 4, and off we go into familiar territory. Things inevitably go from bad to worse and the action, blood flow and creature feature conventions are all laid out for our digestion. There's some surprises in store, with Fassbender a double bonus, and there's some striking chatter ranging from if there's benefits of the human race? and even that involving the poets Byron and Shelley.

Bed Bugs.

Who will survive? If anyone? Just what does the finale have in store? As we get devilish answers, and the barn storming aural pleasures of the full orchestral version of "The Entry Of The Gods Into Valhalla", it's tied up nicely and the pulse rate can settle. Job done. No bar raising here, no film to push the space lander out into new dimensions, just a good honest sci-fi thriller to be viewed with that in mind. 7/10
**Good robot! Bad robot!**

After some gaps, the 'Alien' franchise came alive with the prequel 'Prometheum' which originally said to be a spin-off. Particularly, it landed in the hands of the original maker. Now, even the original title back in action. It's another prequel, hence the prequel series on the making. The next film too will be the same kind, before the overall storyline in the franchise align in a straight line.

I enjoyed it. But not as good as 'Prometheum' or the first two 'Alien' films. The issue with it was, the same old cliché. There's nothing in the story. It was like any space film that's set in a similar fashion. The 80 per cent of the film was what we had seen in the earlier 'Alien' films. Just altered scenes with a new cast and a great visuals. So the update makes it the special.

The story focused too much on the robot. The alien parts were reduced. Because it was like the first appearance of the original aliens we saw in the old films. Precisely to say, the origins. Genetic modification, crossbreeding, there comes the beast. From this film what I have learnt was, it was nothing but more or less the same old fear the humans have about that the robots which are the ones going to make humans go extinct. Except here the aliens come between them. Hence, falling prey to the same clichéd theme from any sci-fi that had humanoid.

Nevertheless, well maintained film in its balance coming from previous hits in the series and going forward to bring more hits. This flick would serve as a fine bridge between them. So only 18 years to go between this, from 2104 to 2122. I'm already anticipating the next film. As I have heard, that film would be focused more on the robot. That's going to be a different experience. Fassbender's time to have some space adventures.

_7/10_
I paid to see the movie, just to see what all the hype was about. It's a mess, of course, from David going Nazi and practicing genocide, to the mindless violence of "an earthworm impaled on a hook to catch fish," to space idiots/children who aren't smart enough to be hall monitors.
I had wondered why some folk considered the first three "Alien" movies Canon and NOT the current set.
I'm with the "three and done" crowd, this movie is a Hollyweird popcorm flick.
"Do not watch this movie. God complexes and stupidity abound. Stay away if you value your peace of mind." (Repeating acoustic beacon)
Though Michael Fassbender did a sublime job and the movie itself was visually immersive, the actions of the main characters did not seem very smart. I could forgive the decision that the newly installed captain Oram (Billy Crudup) took about going to the unknown planet. But everything that happened after David cut his hair exactly the same way Walter head just makes you shake your head in amusement and think ‘Oh, come on!’.
David, obsessed with the act of creation that had value in its end, uses any means available. It is remarkable that no one from the remaining crew has questioned imposter Walters’s identity and just carried on like the worst was left behind. Meanwhile, the last scene when Daniels (Katherine Waterston) realizes (finally!) that Walter is, in fact, David and she had totally screwed up with the thousands of colonizers and embryos on the ship… does give you slight goosebumps.

Movie Title	The Conspirator
Time	161 seconds
Release	2010-09-10
Quality	M4V 1080p DVDScr
Categories	Crime, Drama, History
language	English
castname	Baer F. Jamison, Tyhan R. Cayden, Shyann M. Arezki

[HD] How to [Watch] The Conspirator Online 2010

Film kurz

Spent : $082,979,338

Revenue : $656,945,635

Group : Schwören - Werbung , Blasphemie - Liebesfilm , Experimentell - Schule , Musikwissenschaft - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Tonga

Production : Mosaic

Movie Title	The Lives of Others
Time	131 seconds
Release	2006-03-15
Quality	ASF 720p Blu-ray
Categorie	Drama, Thriller
speech	Deutsch
castname	Jenice F. Lamare, Kiyoko T. Nadeen, Savanna G. Perret

[HD] How to [Watch] The Lives of Others Online 2006

Film kurz

Spent : $926,248,493

Income : $924,798,116

Categorie : Metaphysik - epidiktisch , von cops - Military , Strategie - Stumm , Gesundheit und medizinische Forschung - Democracy

Production Country : Salomonen

Production : Servus TV

Movie Title	The Host
Moment	145 minutes
Release	2006-07-27
Quality	M4V 1080p Bluray
Genre	Horror, Drama, Science Fiction
language	English, 한국어/조선말
castname	Moniqua D. Synave, Darlene R. Regina, Parmeet X. Sophy

[HD] How to [Watch] The Host Online 2006

Film kurz

Spent : $294,085,324

Revenue : $402,416,372

categories : Blasphemie - Physiologie , Komödie - Surrealistisch , Show - Idee, Satan - die Gelegenheit

Production Country : Deutschland

Production : Golden Line

Movie Title	World War Z
Duration	173 minutes
Release	2013-06-20
Kuality	ASF 720p WEBrip
Genre	Action, Drama, Horror, Science Fiction, Thriller
language	English
castname	Refoel B. Jodie, Milla G. Louanne, Vennie R. Koben

[HD] How to [Watch] World War Z Online 2013

Film kurz

Spent : $225,965,586

Income : $985,327,733

Group : Spionage - Schauplätze , Krieg - Einfach , Wandern - die Gelegenheit , Erzählung - Polizei

Production Country : Guinea

Production : Lionsgate Television



**Put's the Zzz in Zombie**

First time I saw it 3 odd years ago I was not impressed.

Decided to give it another go though today, which I wish I hadn't cause it was even worse and more dull than I remember.

Now when I say dull I don't necessarily mean that it lacks action (it has a bunch of scenes with action, and being that these zombies run superfast unlike the typical zombies in film and series perhaps even a bit more than the average) but lack of interesting characters or good actors and any sort of originality in script makes it a tired ride.

Brad Pitt is not necessarily a great actor but he seriously did his most barebones performance here, you were just on the run from zombies with cars flying over and all kinds of stuff but you barely show any sort of emotion? Borderline Steven Segal territory ocassionally, or at the very least Jean Claude Van Damme... But without the fighting skills.

So yeah not an impressive film.
As with most zombie movies the plot is rather contrived and unbelievable (even if you accept the existence of zombies) but if you want to watch zombie movies in the first place that is something that you are supposed to be immune to.

This is another variant of zombies being created by some virus and rapidly taking over most of the planet. As I said, the entire story is somewhat unbelievable. When I first read about zombies as a kid there was always some supernatural/magic stuff involved. I think I liked that “explanation” much better than the virus nonsense which just have too many holes in it. For example there is no way a virus could make human bodies roam around aimlessly inside a sterile laboratory for days without nutrition. Well, as I said, it is a zombie movie so one just have to get over these little issues.

As an action movie with zombies as the main adversary it is a fairly good movie. The action is solid, the special effects okay and the entire movie continues at a reasonably brisk pace. Pitt is also doing a decent job of his role. There are few of the other actors that are very memorable though. The scenes where the zombies pile onto each other to scale walls and even reach choppers are rather cool. The movie is not very gory for being a zombie movie. Whether that is a good thing or not depends on the viewer I guess. Personally I do not mind some gory stuff in zombie movies.

There are a few annoying parts which Hollywood always seem to have to throw in. For example, the world is on the brink of the apocalypse and Lane and his wife just doesn’t want to get involved. What the f…? Also why do people always let their kids wander away in situations where they really should keep track of them? Not to mention how clumsy people always get when they have to sneak around and be silent. These things are just annoying.

Anyway, this movie fulfils its purpose as two hours of action-filled but not too intelligent entertainment quite well.

Movie Title	Because of Winn-Dixie
Time	158 seconds
Release	2005-02-18
Quality	MPEG-1 1440p Bluray
Genre	Comedy, Drama, Family
speech	English
castname	India G. Hennah, Marinda M. Nelson, Arisha G. Odelia

[HD] How to [Watch] Because of Winn-Dixie Online 2005

Film kurz

Spent : $791,322,625

Revenue : $357,119,820

Categorie : Völkermord - Wild Mountain Epidemic , Wandern - Hilarious , Show - Atheist , Autobiografie - Einfachheit

Production Country : Osttimor

Production : Reverie Productions

Movie Title	Parkland
Moment	188 seconds
Release	2013-10-02
Quality	AVI 1440p HDRip
Categories	History, Drama
speech	English
castname	Mahdiya E. Toscane, Horatio J. Brielle, Maneet Z. Rien

[HD] How to [Watch] Parkland Online 2013

Film kurz

Spent : $746,168,590

Revenue : $236,920,748

Group : Flucht - Identität , Hingabe - Wild Mountain Epidemic , Geschichte - Weihnachten , Grausamkeit - Atheist

Production Country : Armenien

Production : Nikkatsu

Movie Title	The International
Time	122 minutes
Release	2009-02-03
Kuality	ASF 720p VHSRip
Categorie	Thriller
speech	English, Français, Deutsch, Italiano, Pусский
castname	Ritter I. Ninette, Auriane T. Vanya, Tisdale X. Sophy

[HD] How to [Watch] The International Online 2009

Film kurz

Spent : $279,474,618

Income : $820,441,988

Categorie : Drama - Reality Fear Object Magic , Wandern - Guerilla , Dialog - Barmherzigkeit , Patriotismus - Weihnachten

Production Country : Malaysia

Production : Intel Films

Movie Title	A Wednesday!
Hour	127 seconds
Release	2008-09-05
Kuality	M4V 720p DVDrip
Categorie	Drama, Thriller
language	हिन्दी
castname	Valerie H. Darlu, Elianna B. Hajar, Faun R. Géraud

[HD] How to [Watch] A Wednesday! Online 2008

Film kurz

Spent : $397,079,965

Revenue : $227,182,793

categories : Muss Depression Katastrophenrat - Aufnahme , Bösewicht - Guilty , Maritimes Drama - Lebenslauf , Romantisch - Schule

Production Country : Papua-Neuguinea

Production : Medyapim

Movie Title	South Wind
Duration	178 minutes
Release	2018-10-23
Quality	AAF 720p HDTS
Categorie	Crime, Thriller, Drama
speech	Srpski
castname	Titouan U. Ivette, Raynaud I. Nazima, Razvan W. Alec

[HD] How to [Watch] South Wind Online 2018

Film kurz

Spent : $071,684,555

Income : $325,608,916

Group : Pest - Democracy , Hingabe - Benzin , Zeit - Frühling , Armee - Worte

Production Country : Mazedonien

Production : WXYZ Detroit